Categories dawgies kitties off topic open thread All Natural Calming Product Open Thread Post author By David Futrelle Post date October 2, 2015 142 Comments on All Natural Calming Product Open Thread This is some dank ass shit Get your mind off the news. Post brain bleach and happy thoughts in this open thread. No MRAs, etc. allowed. Share this:TweetShare on TumblrEmailMorePocketPrintLike Loading... More posts for you ← 4channers: Women being sluts caused the Umpqua Community College shootings → He Found the Mammoth 142 replies on “All Natural Calming Product Open Thread” EJ: quantum world convention? What do you even mean by that? As to players potentially running roughshod over each other… that’s a risk in any RPG, I think, and is more a social contract issue than a game mechanics issue. As to your information gathering complaint… well… everything risky in AW is risky… things that aren’t risky aren’t risky. Oh, but if there are other UA fans out there, if you didn’t know Greg Stolze is currently working on a 3rd edition of that. I’m probably even more excited for that than I am for 2nd edition AW, if only because it’s been SO LONG since we’ve had new UA stuff, and I expect a lot of changes to the world and setting there, which is at least half the reason I love it so much. Oh, how I need this thread. I wish they had all-natural calming treats for hoomans.* School has been very stressful as of late, so much that I sometimes don’t even want to leave the house. Actually, I usually don’t want to leave the house, but that’s normally because I would like to catch up on some much needed sleep. *Wine is a well known hooman calming treat, but it does have some undesirable side effects. @Jackie – thanks for the story! I think a rather apathetic vampire plus a sort of 28 Days Later scenario is an interesting mix. It intrigued me that the vampire was calling people “it” and I wondered is he the kind of vampire that used to be a person, or some kind of always-a-vampire creature? (I still can’t figure out how to navigate Tumblr though. Are there forward and back buttons, or is every post once you click on it sort of in a world of its own? Apologies for my stupidity in that regard.) I have links on top that go the tag and the next and previous parts. They’re right above the bolded date in the fic. (I’m naming each part after a day.) And Fidel used to be a human. I don’t actually know if Move By Wire stacks with Wired Reflexes. I suspect it doesn’t – initiative pass boosters don’t generally stack – but simply the fact that we can have this discussion highlights everything that is wrong with Shadowrun as writter Well both my 4th and 5th edition rule books say that wired reflexes are incompatible with with other augmentations that boots reactions or initiative with the exception of the reaction enhancers augmentation . So if move by wire give a reaction and/or initiative bonus then I would say it does not stack. I wounder how much newyen it would take to hire Slam-O!, Netcat ,Bull,and maybe even Fastjack himself to go into the matrix and hunt down and kill the blockqoute monster? I have links on top that go the tag and the next and previous parts. They’re right above the bolded date in the fic. (I’m naming each part after a day.) Cool, thanks. I can’t promise you I’ll follow it day-to-day but I bookmarked it and I look forward to chapter-binging on weekends! I wish they had all-natural calming treats for hoomans. My go-to calming drink is (kinda boringly) herbal tea. Oh, and here’s something cute: when I was a kid I used to think chamomile tea was called “camel mild” tea. Yes, it’s mild, but I have no idea why I thought it had anything to do with camels! But kids have to accept a lot of weird shit, so I guess I just thought it was one of those things. Also, I don’t know if anyone’s heard of Ovaltine, but it’s this hot drink with malted milk and hot chocolate – sweet but not excessively sweet – and I used to think it was called “oval tea.” I reasoned that mugs are generally round, and circles are sort of like ovals: but then why wasn’t every tea called oval tea? Oh, the mysteries of life. @epitome of incomprehensibility Hey, you know, I’m just grateful that anyone would take time to read my poorly edited drabble. Hopefully with some good criticism and stuff, I’ll be able to edit better, rewrite some things, clear some messy writing up, and put it in a PDF with some picture inserts…which people may or may not download for a fee if they so want. IDK. It would be nice to make some money off of this. The version on Tumblr will be free but, well, maybe people wouldn’t mind paying for a more polished version? IDK, IDK. Also, I don’t know if anyone’s heard of Ovaltine Have you heard of a movie called A Christmas Story? EJ: quantum world convention? What do you even mean by that? In a game like Dungeons & Dragons or Shadowrun, the convention is that the MC is supposed to decide what’s in the world — stat up the NPCs, map the locations, or whatever — in advance. Even though the players never see the MC’s notes, they trust the MC to “play fair” with them by standing by what was written there. Obviously, the MC is going to have to improvise some things, but the same ethos applies — they’re supposed to extrapolate the answer from their pre-designed model of the world. Apocalypse World actually forbids the MC from specifying those details in advance, and when the MC is called on to improvise, the MC is not asked to do what’s logical, but what’s interesting. In fact, they are explicitly called on to “respond with fuckery,” so if you’re a player who doesn’t like being fucked with, it’s a bad game by definition. Personally, I don’t have a strict preference for either style of play, and in some ways it’s a matter of personal style more than mechanics. You could play D&D in the same “quantum” way AW is played, and some groups do. When I was a kid, I would stat out optional reinforcements for the enemies that I would bring in if the players were doing well and leave out if they were doing poorly. However, it’s almost impossible to play AW like D&D. I missed that Ovaltine part. I used to drink Ovaltine as a kid. I loved malted milk stuff, still do, like Whoppers and stuff. I’m just…lactose intolerant now. 🙁 @Katz Thats not cool. A DM should facilitate play. Ive been in some RPG groups that were relatively humorous and allowed random attacks (Paranoia). But in a normal gaming group thats just being a jerk to the other players. I have a settings and scenario ready to go for a number of systems, but minimal experience playing online, and Imagine not all games work equally well. I would definitely run something if there were interested players. Are people here thinking of playing live, or asynchronously? One benefit of Apocalypse World is that “splitting the party” is actually the default assumption. Characters are expected to get into lots of trouble singly and in pairs, so you could move the story along a good amount over the course of a week even if you can’t get all players logged in at the same time. @Panda, Thank you for sharing your story. Are you sharing it for our enjoyment, or soliciting feedback? If you want comments, what kind of commentary would be useful to you? Welp, I’m beginning to think the best way to make money in Traveller is to botch your Astrogation rolls. Last session, I botched us into a chance meeting with a Zhodani scout, which we crushed and dragged back to the Imperial base we started from, along with three live Zhodani. Along the way, I botched us into a chance encounter with a rogue cometary nucleus in interstellar space. Strategically, it’s valuable to the military and merchant marine because it can be used for what is called a “calibration point,” and a starbase can be established there. Economically, a 4-kilometer-diameter ball of ice is worth twelve figures. Sooner or later we’re going to botch an Astrogation roll and explode. @CCD YES! Another Tinykittens watcher! COMRADE!!! I’ve been watching Tinykittens and FDJ’s cam since about May of last year, when I was recovering from knee surgery and on disability and didn’t have much else I could do. (Also found WHTM via Confused Cats Against Feminism due to painkiller induced insomnia. Coincidence? I think not.) When the world seems like it’s too damned stupid and mean-spirited to tolerate, watching kittens helps deal with that and renews my faith in humanity. I was so relieved when Cassidy pulled through, because he was so sick that I went to bed one night not sure if he’d still be alive when I woke up the next morning. After the losses of Toothless and Tadpole (another day-old kitten that Shelly tried to save and couldn’t a couple of weeks earlier) all the watchers needed some good news. Cassidy, however, was able to make the most of Shelly’s and the ER’s love and care in order to be able to survive, because that little kitten has a will of steel. I still don’t want to think about how close a call it was though, because if they’d trapped him even one day later it’d probably have been too late. Fortunately it’s a non-issue. If you want to see another blended litter, there’s the Great Catsby litter, being cared for by the same animal protection society(LAPS) Shelly works with: http://livestream.com/accounts/14083503/Catsby Their mama, Zelda, was being taken care of by a lady going through chemo when she started to go into labor in the lady’s closet. LAPS sent out their animal control officer to pick Zelda up as her caregiver didn’t have any transportation, and *then* had to turn back and pick up two tiny tabbies Zelda had given birth to with nobody the wiser. Zelda then proceeded to have two more babies when she arrived at the facility. This was the best timing EVER. That same morning, LAPS had picked up six tiny day-old kittens that had been orphaned and who needed a mama. Zelda didn’t even bat an eye when they introduced them to her and she started caring for them like they were her own. The whole crew is now about two and a half weeks old and the most horribly, amazingly, lethally and wonderfully cute little bundle of fuzzballs you ever dun see. Zelda’s biological babies are all tabbies and her adoptees are cow kitties and blackies, but other than that she sees no difference to them. <3 (It is my personal belief that Zelda and Tip will eventually have a Throwdown of Ultimate Destiny as to whom gets All The Kittens In The World. Because they're like that. All kittens are theirs, even the ones that were given birth to by other cats.) (P.S. Regarding Tadpole, the kitten that passed away, there is some comforting news. While it was too late for him his mother, an adorable little stray tabby named Lilypad who wasn't much older than a kitten herself, got spayed and a wonderful home with a family that adores her and where she'll never have to be hungry or without shelter again. I follow her updates on Facebook along with about five million other pages of kitties I've watched on Livestream.) Kitterns: good fer what ailsya. @Orion I’m sharing it for enjoyment and hoping for feedback. I plan to, after it’s finish, to go back and edit it again, make it longer, clear up some things, because I do want to make the best story possible. I’m writing and editing my own work so I’m going to miss things, although it being put out piece by piece, the audience won’t know exactly what I’m trying to do. All I can say is that with the first three parts are out, you can see the narrative changes between four characters. I’m actually going by a pattern–Fidel, Melbourne, then Nina and Phil, and back to Fidel to repeat. This is because I hope if enough people like this, I can continue their stories in a serial, which will intertwine much like in this novella (which is also a serial TBH). I also plan to edit those into PDFs or whatever for people to (possibly) pay for, although the originals will still be on Tumblr or whatever for people to read for free. I’m not exactly sure I can continue a story without an audience, ya know? Back to your actual question about feedback and comments, I’d like any thoughts, criticism, grammar corrects, pointing out weird wording, genuine excitement for the story, whatever. I don’t care if it’s a 2,000 word essay on how it sucks or just “love it”, just gimme opinions lol. I read the first section, and spent like an hour trying to create a tumblr, finding out I had one, logging in, trying to change its name, failing, make a new one, trying to log out of the old one, failing, successfully renaming it, and then following your blog. After all that it looks like Tumblr is not going to let me message you, so I’m posting here. I read the first section and enjoyed it enough that I’ll likely get myself caught up tomorrow. 3 things that really worked for me: 1. Premise. Running a well-known premise (zombie plague) from an unusual protagonist’s perspective seems promising. I don’t usually go for zombie stories, and I’m only moderately interested in vampires, but fantasy/urban fantasy/horror is home turf for me. 2. Protagonist. I had some difficulties with his portrayal, outlined below, but something about him inspires real pathos. I don’t know how you managed to convey so much loneliness and evoke so much pity in a brief scene that’s mostly not about him, but it’s basically his low-key sadness that convinced to read on. 3. Imagery, boldness of. There are moments where the writing really pops. I had some difficulty with the sentence structure, detailed below, but within those sentences are some great words and phrases. A few things tripped me up/slowed me down as I went through. 1. Syntax. There are a number of dangling participles, and other places where it’s unclear how clauses hang together or where modifiers are pointing. Also some “garden path” sentences where words are revealed to work differently than expected. In almost all cases I was able to work out what was intended, but it was distracting. 2. POV and register. The narration has a pretty consistent and moderate tone overall, but sometimes breaks into “high style,” and other times shifts into a breezy, slangy voice. Also, I wasn’t really sure how “close” we are to his POV. I decided that the high style conveyed judgments from an external narrator and the breezy bits are Fidel’s opinion, but I couldn’t find clear marks, and at one point the registers bled into each other disorientingly fast. 3. Clarity about supernatural. Did Fidel use telepathic mind control in the knife scene? I decided that what happened is that Fidel thought the words in his head, the recipient did not consciously “hear” them, but that she changed her behavior to comply with the subconscious command. I wasn’t 100% sure though. The mental message, if that’s what it was, shares formatting with the free indirect discourse from earlier, which triped me. Also, some of the language for mundane things has supernatural undertones. After I thought about it, I decided that night clubs only “drain” Fidel in the metaphorical way they drain humans, but I don’t know the rules of this world yet so I had to stop and wonder whether they actually siphoned his life force somehow. 4. Distance. I has troubled working out how Fidel was supposed to feel about humans. At the beginning of the story, it seemed like he thought of them as people, and he explicitly calls them people near the end. When he called crowds “draining,” I assumed he was speaking as either an introvert or a person with social anxiety. Either way, the implication is that he’s talking to / interacting with humans regularly, and that he considers them “people” enough that their opinions matter to him. I was surprised when, in the alley scene, he saw the others not as “people” but as “humans,” and “it”‘s, whose gender was irrelevant to him. 5. Zombie FX. It may be that I’m just not your audience, but I didn’t care for the actual moment of death. It felt like a video game animation or an animated show, and for me, it detracted from the somberness and compassion of the rest of the piece. Again, the opinion of people who actually watch zombie shows is probably more relevant. I can do notes on individual sentences, but I’m not going to post that on here, so we’d need another way to communicate. @Orion I read the first section, and spent like an hour trying to create a tumblr, finding out I had one, logging in, trying to change its name, failing, make a new one, trying to log out of the old one, failing, successfully renaming it, and then following your blog. After all that it looks like Tumblr is not going to let me message you, so I’m posting here. I’m sorry you had so much trouble. I’m not sure why it would as I’ve haven’t had a follower or messenger have problems like that. You shouldn’t even need to be following me to ask or submit things to me. It does explain that weird empty blog that started following me though. Anyway… First off, it’s not a zombie story. It’s just a suddenly mutated bacteria strain. (Which you wouldn’t know yet, but still.) There’s no zombies in this particular story. I understand how people could, in fact, think that a person slowly dying of a highly infectious flesh eating bacteria could be zombie-ish, but it isn’t zombies, I swear. I probably shouldn’t have someone who has no idea what is actually going on other than something is messing with his food source introduce the readers to the world. I thought it would be something character establishing, that he cares so little about what humans are doing, he’s not even keeping up with what’s killing them. IDK, IDK. I’m surprised first paragraph didn’t really establish Fidel’s perspective on humans enough. He did just kill, drain someone completely of their blood, and put them next to a dumpster to be confused as a victim of the sickness going around while being completely unsatisfied drinking their blood. I thought it was very detached. Maybe I described what his feelings about feeding were too much and not enough describing the human he was eating? As for most of the other points, I’m a really bad editor and edited it just once before posting and that’s why all those things. And I’m sorry. I’m saving your notes so I can come back to them when I edit these all again. Hopefully I’ll be able establish things better because I really, really don’t want people to think this is about zombies. And now I definitely regret not keeping the part where a character is frustrated about all the misinformation being spread around, like how people are calling it a virus and shit when it’s bacteria, people thinking it’s airborn, things like that. I’ll have to add that back in when editing. I concentrated too much on character in that part, for sure. Thank you for the feedback. It is appreciated a lot. Another thing I regret: Having Fidel describe his short 127 year life as “tedious” instead of going with my original 127 years and already suffering ennui because Fidel doesn’t have anxiety, he’s just tired of everything. Oh, and to add to my window shopping links: AHHHHHHHHHHHHMYYYYYYYYYYYYYYYYYYGOOOOOOOOOOOOOOOOOOD. This worked for me… Did someone mention Ovaltine? Also, damn that Diggy Diggy Hole song! It’s so earwormy! Re: Zombies. Before I read the story, someone else in this thread mentioned 28 Days Later, so that’s what I went in expecting. If I hadn’t been told in advance, I might not have come to that conclusion. Once I was reading, there were really only 2 things that made me think “zombie”. First was the mention of a “super virus” — that could mean a lot of things, but since I was expecting zombies, I said “ah, okay, zombie virus.” Zombie infection is, for some reason, always referred to as a virus, so if you are worried about confusion you could try replacing it with a similar phrase like “superbug” or “pandemic” or something. Or you could leave it alone, it’s fine. My expectation that it was zombies was reinforced by the death scene — the vomiting up internal organs and the instant death reminded me of Diablo and such. Finally, the paranoia the EMT has toward Mel. Obviously, with any infectious disease there’s reason to be wary of exposure, but the specific tropes (fear because of who he was alone with / might have been injured by; fear so strong as to suggest abandonment; skepticism about his honesty) could have been a scene from The Walking Dead. ———————————————————————————– When it comes to “fixes,” I recommend trusting your original instincts. I would not say you focused too much on character; focusing on character is good. Starting with an outsider perspective was a good hook, I don’t think that’s a mistake. You probably cut / didn’t write the exposition lectures because you currently have good pacing and don’t want to slow it down too much, or because you sensed that it worked best with a little mystery. I jumped to some wrong conclusions because minor details suggested them / implied them /primed me to see them, however you want to put it. If you want to stop your readers from misunderstanding something, you don’t need to add an explicit explanation; all you have to do is find the details that were leading them astray and tweak those. You also have the option of just accepting that some readers will be confused on some points. As I said, your first chapter sold me on the second, so I would eventually have worked out that it’s not zombies. If you want to clarify it and there’s an easy way to do it, great, but you’re not obligated to sacrifice pace, brevity, tension, or mystery, for the sake of clarity. I wonder if that product actually works. Wonder what’s in it. I gave my cat an antihistamine once (vet’s direction) and it knocked her out for a good 10 hours. I felt so sorry for her. So we got rain last night here, in the first very serious rainstorm of the year. There was thunder that shook the house and everything! The lightning struck miles away (if the second count before the thunder was to be believed), but our poor dogs and cats were terrified. Oh, speaking of cats, my cousin and her boyfriend were adopted by an adorable little tabby kitten because they yelled at a pitbull that was barking at it. @Orion I know some hardcore zahmbie fans don’t consider 28 Days Later to be a zombie film but an epidemic film so that’s kinda why I didn’t correct them. I also have other people reading it who describe it has zombiesque. All the feedback I’ve gotten so far are pointing more towards people thinking this is gonna be about zombies and that’s gonna turn people away from the fic since they were expecting vampires but think there’s zombies instead. It’ll also disappoint the people who were like, cool, vampires but also zombies?! Yay! The bacteria IS important to the plot and helps move it along at two points, at least, and it still needs some of its symptoms to remain highly infectious for as long as I want it to be (and still be extremely horrifying), but it still needs to be retooled. When you get to Part 3 where I dump a whole bunch of exposition about the bacteria, you’ll understand why they were paranoid about it. Although, like I said, I really should have left the character being upset about the misinformation going around but the bacteria would have been around for eight days at that point and I would like to think that the news wouldn’t report misinformation over a week in. People would still cling to the misinformation, shown briefly in Part 2, but the news wouldn’t be spreading it any more. I’d hope. And if it’s not clear to the reader, I can make it clear; the first part is only three pages long and will be expanded on in time so I’d like to know what parts needs to be clarified. For instance, everyone thinks it’s the girl backing away from Melbourne when it’s Melbourne backing away from the girl. Fidel compelling him to do something he wouldn’t have done it a major plot point, as seemingly insignificant as it seems. Melbourne feels extremely guilty about it, which is what Part 2 is all about. If people don’t read it as Melbourne backing away, how are they gonna understand what happens in Part 2 or his motives later on? It’s crucial I get at least significant plot points to be clear, especially when I can easily rewrite: The sickly one’s face contorted in anger. “Liar. Liar liar liar—“ it burst into another coughing fit, falling to its knees. The taller one bent down to touch it. ‘No, don’t,’ Fidel commanded, making it stop. ‘Back away.’ It did as it commanded and the sickly one suddenly vomited blood and parts that were never meant to leave the body. As The sickly one’s face contorted in anger. “Liar. Liar liar liar—“ it burst into another coughing fit, falling to its knees. The taller one bent down to touch it. ‘No, don’t,’ Fidel commanded, making it stop. ‘Back away.’ The tall one did as it commanded and the sickly one suddenly vomited blood and parts that were never meant to leave the body. Very easy fix, minimal effort, makes everything clearer. Hey Pandapool, I read your first chapter and I am going to give you the most annoying possible feedback. The issue I had with it is that it’s about two different things. Is this a story about a plague or a story about a vampire? And you’re going to say “A story can be about two different things,” and that’s true, but not usually for novellas; novellas are all about focus. If a shortish story has two different things going on, they really need to be closely related, either causally (Vampires caused the plague! The plague created vampires!) or thematically (one is a metaphor for the other). An opening like this leaves me unsure what the story is trying to focus on. Your prose style could also use work, which is more or less to be expected from something you’re posting as you write it. (I can elaborate if you like.) @katz I’m using the bacteria as more of a MacGuffin for this particular novella. It will come back again in another story but it’s just a plot coupon in this one. Everyone is affected by it in some way. It’s kinda hard to establish that when you haven’t even been properly introduced to Melbourne, Nina and Phil yet. The story is in 31 parts, alternates between three perspectives, and centers around death, dehumanization, guilt and depression and I don’t think I can establish all that with just three pages unless I become a way, way better writer. And elaborate on what you think about my style, please? *gets out notepad* Style: First off, you need more variation in sentence length. Too many medium-length sentences makes the writing drag. P3, for instance, is 15-22-15-27-7. Expressions of emotion: “Curiosity overriding his previous mood.” That’s a very dull way to tell us how he’s feeling. I know you want a feeling of emotional distance, but you don’t want us to feel emotional distance from Fidel, because that just makes us disengage from the story. (Speaking of Fidel’s emotions: You want to show that there’s emotional distance between him and the humans, but then he immediately has an emotional connection with the first living human we see.) And then there are just redundant, fillery, or poorly-phrased sentences: “After just a brief 127 years on earth, life was beginning to be too tedious to him.” “It was much too sickly to do much.” As aforementioned, this is largely a downside to posting as you write; unless you’re a literary god, prose generally comes out clumsy in the first draft. (That’s one of the reasons I am so loath to let anyone see my first drafts!) @katz Ah, I see! I’ve had someone say it my writing felt redundant (not in this story), but they didn’t elaborate. I kinda feel a bit oblivious not seeing how “It was much too sickly to do much” isn’t redundant. That’ll be something I’ll have to watch more when I’m writing because I do that a lot. And I wouldn’t say Fidel is emotionally distant but trying to be emotionally distant. Part 4 (which I’ll be posting soon) actually brings up a minor reason why he tries to be emotionally distant from humans. In fact, one major point of the story is unhealthy emotional attachment which ties into the dehumanizing theme. It’ll be made clearer soon, with hints of what’s to come in Part 1 and Part 7, but Part 11 is when it really starts, and, oh boy, does it start. And I’ll tell you this, it’s why I have Phil and Nina there, for an outsider’s perspective on this shit. They’re really the only people that has Mel grounded during this. And I wouldn’t say Fidel is emotionally distant but trying to be emotionally distant. That’s fair, but you’d communicate that better if, say, he initially leaves and is like “whatever, a coupla humans, who cares” and then later on contrives some reason why he needs to come back and has some pretense about how it’s definitely not because he felt a connection with that human, he just needs to talk to him for some reason. Giving him a better connection to that scene would also help; as is, I’m not sure why he’s bothering to watch. (You’re trying to hit a tricky emotional target here; there’s a very fine line between coming across as someone who’s trying to be emotionally distant but isn’t really and coming across as someone that you, as the author, want to seem emotionally distant, but isn’t really effectively communicated.) (You’re trying to hit a tricky emotional target here; there’s a very fine line between coming across as someone who’s trying to be emotionally distant but isn’t really and coming across as someone that you, as the author, want to seem emotionally distant, but isn’t really effectively communicated.) Soliloquoy can be an effective technique to break this one up. @katz Lol, who said anything about talking to humans? It was just something interesting to watch, like coming across two stray dogs fighting. One of the humans just happened to be trying to help their attacker and that was interesting enough for him to follow. … I should probably use a description like that when I rewrite it. Here are some things that struck me as redundant, but it is a subjective judgment. Sometimes you repeat something because you do want to emphasize it; sometimes you say things you don’t strictly need to say for the sake of sound or rhythm, or the tone your narrator wants to hit. I’m not saying that all of these are errors, but they’re things to look at. A few are basically repetition “He didn’t have the energy to be in a crowd … they overwhelmed him … and drained him too much.” “After just a brief 127 years.” “Fidel heard … quite easily as he had exceptional hearing.” “quiet, … ghostlike and empty…” The rest explicitly state things that I would have assumed anyway. “Curiosity overriding his previous mood” — every mood overrides the previous mood “Too tedious for him” — if anyone call their own life tedious, it is too tedious for them “he didn’t know why he continued to watch, but he pitied…” — sounds like he does know why he’s watching “it ceased to talk and began to cry” — people generally don’t talk while crying. And so on. Cutting back on this stuff can often make prose feel more vigorous, but if you’re too ruthless you may end up with something that sounds choppier than you want. If your natural voice repeats/explains/emphasizes, then go ahead and leave in the redundancies that you think emphasize something important, add memorable details, smooth out rhythm, or make for poetic language, and only cut the ones you find boring. Soliloquoy can be an effective technique to break this one up. http://www.reactiongifs.com/wp-content/uploads/2013/11/maybe.gif Cutting back on this stuff can often make prose feel more vigorous, but if you’re too ruthless you may end up with something that sounds choppier than you want. Yeah. I’m aware of that. Fidel is feeling rather empty and depressed currently so this part is written in a more languid feel, which is why I’m ignoring katz advice on sentence length. (Sorry, katz.) If there’s one thing I have it’s the ability to express emotions through style. *jazz hands* Her face is soft and round, with lips like rose petals and eyes like diamonds. He’s never seen someone so vibrant. Very standard description, could apply to anyone in most emotions, mostly happy or content. Her face is soft, round, lips like rose petals, eyes like diamonds–he’s never seen someone so vibrant. This is rushed, like they’re trying to drink in the subject’s appearance in a hurry. This could be used for someone who has suddenly bumped in or saw someone across the room. Perhaps they’re anxious? Her face is soft, round with gentle angles; her lips are like freshly opened rose petals, vibrate and pink; her eyes shine like diamonds, glimmering brilliantly under the bright lights above. He’s never seen anyone as vibrant as she. This is very poetic; it’s as if times slowed down, crowds parted and a spotlight shined down on the subject like a cheesy romance scene. You don’t want to do this in a part that’s fast paced unless you want to create the aforementioned cheese scene. Buuut there’s still redundancies I don’t want, so they shall be removed. They weren’t on purpose. “Lips like rose petals and eyes like diamonds” could apply to anyone in most situations? “I went to the bank. The teller had lips like rose petals and eyes like diamonds.” “The babysitter showed up. She had lips like rose petals and eyes like diamonds.” Hell, that’d be purple prose even if it were describing a love interest. @katz Emotions, not situations. An update for everyone who asked: Shadowrun went really well! We had a five person party: – An elf decker, played by an unbelievably enthusiastic and bouncy person. – An ex-mil sorcerer, played by a very tired Australian who sadly had to bow out early because she was falling asleep. – A street summoner, played by a somewhat puzzled greybeard. – An ex-corp rigger, played by a very earnest and very nice real-life corporate type. – An ork samurai/face, played by a very friendly young gentleman. It was nice having a heavily female party, although that got equalised later on when the sorcerer bowed out. They were sent on a very easy mission: to steal a painting (Necronom IV, by H R Giger) from an art exhibition. This would require breaking into a guarded corporate luxury-residential dome in an otherwise bad neighbourhood. I anticipated that they would do some digging around to try to find out why they were hired to do it, and had come up with the rationale that it was actually being done to discredit the security firm guarding the event just ahead of a big contract negotiation. However, they didn’t think to look into this, so it didn’t happen. The mission was intentionally designed to have many possible solutions, so as to allow creativity and avoid frustration. Initially, the party magician staked out the front door of the dome and watched vehicles come in and out; most of the foot traffic was by a secure overhead rail line so what they saw was mostly goods vehicles. They debated smuggling themselves in via a goods van, but thought it was too risky. Further investigation by the decker and summoner showed that the dome was magically warded and wifi-shielded so the operation couldn’t just be done remotely. The decker did discover that all communications from inside were being relayed via a single communication relay on the outside, meaning that the dome could be silenced if they needed to. They couldn’t think of a way of using this successfully. Next, the sorcerer cast an invisibility spell on the samurai and sent him in to scout around. They found that once they were past the outer doors, security inside was light and mostly electronic. The gallery itself was still “under refurbishment” prior to the event but the paintings were in place. However, there were some fairly serious security personnel around it, evidently worried about possible heists. (I thought the players might smell a rat here. Fortunately they didn’t.) The samurai, still invisible, made his way out by swimming through the water outflow pipes into the polluted flooded district. Those anti-toxin implants saw pretty heavy use. Now knowing the location of the painting within the dome, they asked around their contacts. The rigger knew someone from his old corporate black ops days who offered to help. With said contact’s aid, they fed a wire through the now-explored water pipes to inside the dome, allowing them to command a scouting drone inside it. The rigger got a tiny little microdrone the size of a housefly to go into the gallery, find the painting and hide behind it, behaving like a homing device. One thing they hadn’t expected was the size of the canvas: the painting is approximately 3m x 4m, too large to easily steal. This required a change of plans. Several approaches were suggested. These included: a) Smash and grab, using explosives to penetrate the dome, grab the painting and run away before security response teams arrived. b) False smash and grab, using explosives to penetrate the dome, and then pretend to be the security response team in order to get in and “take the valuable painting to safety.” c) Wait until the event was over and then pretend to be the removals people and take the painting away. (This was also the point at which the sorcerer’s player had to leave.) Eventually they settled on a plan which was brilliant in its perversity, and absolutely pure Shadowrun. d) i) Using a false ID and some quick work by the decker, they could get the summoner and samurai in disguised as corporate bigshots. ii) The decker and rigger then went out into the flooded district in a rubber dinghy, hacked into the dome’s water systems and turned off the filters, so that the water going into the elegant fountains and pools inside got contaminated with the toxic wastewater outside. iii) Meanwhile, the summoner went up to one of these pools and summoned a water spirit, then gave it the order to cause flooding. He rolled really well, meaning that the spirit had a whole bunch of extra services that it owed him. iv) The sudden ankle-deep water everywhere, combined with the contamination of the water supply, meant that everyone in the dome had their toxin alarms go off. Dome security scrambled to deal with this, by sending a response team to investigate and by sealing off the area around the flooding pool. v) The samurai pulled out his monomolecular claws and gruesomely dealt with the security personnel, then stole one of their uniforms from the least blood-splattered person. vi) Meanwhile, the summoner used up the remaining services from the water spirit by getting it to materialise and punch big holes in the walls, making it impossible to seal off the area. vii) Meanwhile, the rigger and decker got into position outside the goods entrance as evacuation and emergency response trucks started to arrive. High-threat response teams came in and all the civilians started to be evacuated, along with the valuables inside. viii) The summoner, in disguise as a rich dome inhabitant, got evacuated with the crowd. The samurai, who was in disguise as a security staffer, got pressed into helping to evacuate the artwork. Said artwork was put into a truck, ready to be driven to a secure site. ix) With the microdrone acting as a homing device, the rigger could tell which truck it was in. The decker hacked into the truck’s self-driving AI and handed control of it over to the rigger. x) Unfortunately, the truck wasn’t heading off immediately: instead, the security staff’s plan seemed to be to get everything into trucks outside and then drive them all off in a convoy, guarded by armoured cars. This didn’t suit the party, so the rigger got the truck he was in control of to smash through the fence and drive off at high speed. xi) As it did so, the samurai leapt onto the side of it like Indiana Jones, and one of the rigger’s other drones (a spider drone) jumped from a nearby building onto it. The decker and summoner sped off on a motorbike, following it. xii) One of the armoured cars pursued them. The summoner turned around on the back of the bike and summoned a really potent fire spirit. He barely got the thing under control, but only had one service from it. He gasped the command “fill that armoured car with fire” before blacking out. The armoured car did indeed fill with fire and skidded to a halt as the driver died, with rickshaws dodging it and it blocking the road for all further pursuit. xiii) Once they were outside of eyeshot of their pursuers, the rigger got his spider drone to mimic the homing signal of the truck whilst he jammed the truck’s own signal. The spider drone then jumped off the truck and headed along a major road, while the truck pulled into an alley. To anyone watching on a satellite display and following it via the homing signal, it would look at if the truck was now continuing down the road. xiv) In the quiet alley, they moved the painting (along with a few others to sell to the Russian mafia) into a van, then ditched the truck and sped off. xv) They all met up later at the safe house. — Glossary: Sorcerer: One who casts spells. Decker: Hacker. Samurai: A heavily cyberaugmented killer. Often good at sneaking (at least, this one was.) Face: Con artist. Rigger: One who uses drones. Summoner: One who commands magical spirits. Reviving last month’s open thread for a rant. Apologies in advance for the upcoming TL;DR. I’m dealing with a “What about the menz” issue on Facebook today. I’m trying to be calm and level in my Facebook responses because I know he has good intentions, but it still makes me angry. I know this guy is trying, but he’s not being a very good ally. It all started when he posted a video that showed a man and a woman approaching members of the opposite sex on the street. To start with, the video was biased to make the women appear rude. The man approaching them opened with, “I think you’re cute. Can I get your number?” The women, unsurprisingly, walked away or told him to fuck off. When the situation was reversed and a woman was approaching men, she started by introducing herself and they had a bit of an interaction before she dropped the line, “I think you’re cute. Can I get your number?” So, even though they did use the same words the context was different. This friend of mine posted the video with a comment asking why the women were so rude. The bias in the video had to be pointed out by someone else. He didn’t see any differences in the approaches. Several women, myself included, recounted instances of street harassment. We told him why it was threatening and offered better ways to approach women (in cafes, while waiting in line, etc.). We specifically said that we don’t like being approached on the street. He responded with comments about how men don’t read body language the same way women do and so we’re expecting them to read signals that they just don’t see (*cough*bullshit*cough*). He also edited the original post. First to say that he didn’t like that the more “emotionally aggressive” comments were receiving more likes. Of course, because it’s text, everyone will read a different amount of aggression into the comments. I read them all and didn’t think any of them were overly aggressive. He also threatened to delete the thread if it became more hateful than productive. I understand that sentiment, but nothing that anyone posted in the thread was hateful. It was mostly personal experiences of street harassment from women. They were tied to anger about the situations, but none of the anger was directed at the OP or anyone else in the thread. We’re being harassed on a regular basis. I think we have the right to be a bit angry about it, but being angry about a situation is very different from being angry and hateful to other people around you. The second edit to the post is what really got me riled up. He said that both men and women need to assume the people have good intentions, instead of bad. He posted this after receiving many messages from women telling him about how they were harassed after giving someone the benefit of the doubt. He is asking us to ignore our lived experience without realizing that we’ve already tried that tactic. Most of us have tried being nice and it didn’t end well, so we’ve stopped being nice. I did point out that asking us to give men the benefit of the doubt is asking us to ignore our lived experiences, but have yet to receive a response from the OP. The third edit was asking for solutions and better options for approaching women (even though some had already been suggested). Sorry, dude. I’m much more concerned about the women being harassed than I am about the fact that you can’t get a date. There’s also just a lot of entitlement coming from him in the whole thread. He wants women to respond to his approaches because he’s ‘nice,’ but he doesn’t seem to realize that we’ve heard that one before (and it was a lie). I mean, he’s a decent guy, but he seems to think that he should get the response he wants no matter what past experiences the woman in question has had. I know he has good intentions, but it really irks me when someone who claims to be an ally tries to talk over and diminish women’s experiences. Despite the number of women recounting their experiences of being harassed after being ‘nice,’ he still insists that we shouldn’t assume the worst. I know he’s trying to learn, but he needs to figure that the best way to that is to listen to us and not assume that he has the magical solution. He just seems to be missing the part where we all share stories of what happens when we’re ‘nice’ and just keeps insisting that is the answer. Part of me just wants to scream at him, “DON’T YOU THINK WE’VE TRIED THAT ALREADY?” I know that wouldn’t be productive in this situation, but how many stories do you need to hear before you will believe us when we say that being nice doesn’t work? Also, just a side note, he has thanked several MEN for contributing to the conversation. Yup, women discussing their experiences with sexism are “emotionally aggressive.” Men addressing sexism all deserve cookies. http://1.bp.blogspot.com/-t1RRT4k7q08/TzCwhtuinkI/AAAAAAAAAac/fA4PyIkyadc/s1600/Cookie.jpg Rant over. I just needed to get the anger out somewhere. I know it won’t be productive in the Facebook discussion, but that thread is starting to feel like I’m beating my head against the wall. Hey, EJ, your post reminded me that we’re overdue for some open threads. I just opened one; I can paste your comment over there if you want, or you can. That facebook discussion sounds annoying as hell. This friend of mine posted the video with a comment asking why the women were so rude. He also edited the original post. First to say that he didn’t like that the more “emotionally aggressive” comments were receiving more likes… He also threatened to delete the thread if it became more hateful than productive. The second edit to the post is what really got me riled up. He said that both men and women need to assume the people have good intentions, instead of bad. He posted this after receiving many messages from women telling him about how they were harassed after giving someone the benefit of the doubt. The third edit was asking for solutions and better options for approaching women (even though some had already been suggested)… He wants women to respond to his approaches because he’s ‘nice,’ but he doesn’t seem to realize that we’ve heard that one before (and it was a lie). “I know he has good intentions”. Nope, he has selfish intentions. Like many of the trolls who’ve come and gone here, he’s pretending to discuss broad gender issues while fixating on his own dating woes. Seriously, the streets could be filled with chaos and blood, he’d still going to only want to discuss how attractive women he doesn’t know are unavailable to him. Hit the eject button. This guy will shove aside any women who try to discuss their own negative experiences because it’s all about his self-pity and resentment. He’s likely to start whining about his lack of dating in high school and/or college next, if he hasn’t already. He’s a milder form of the incel trolls that pop up here. They cast their personal relationship misfortunes as a social issue; it’s genuinely unfair that attractive women walking the streets won’t give them the attention they want and therefore real social change is needed to get that to happen. ← Older Comments 1 … 3 Leave a Reply Cancel replyYour email address will not be published. Required fields are marked *Comment Name * Email * Website Δ This site uses Akismet to reduce spam. Learn how your comment data is processed.